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B. Bartok, For Children, Vol. 1, Nr.11 Lento, SZ42
pental
1:23 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 8 1 3 96%
Bass 16 11 1 3 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 8 1 3 96%
Bass 16 11 1 3 97%
 
B. Bartok, For Children, Vol. 1, Nr.29-Pentatonic Tune, Sz42
pental
1:30 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 16 3 1 3 77%
Bass 18 0 0 3 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 16 3 1 3 77%
Bass 18 0 0 3 89%
 
B. Bartok, For Children, Vol. 1, Nr.6, Study for the left hand
pental
0:47 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 3 91%
Bass 9 8 1 1 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 3 91%
Bass 9 8 1 1 88%
 
von Biber Sonata Violino Solo representativa
pental
2:13 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
solo		 Treble 21 4 4 7 100%
Basso
Continuo		 Bass 12 0 1 6 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violino
solo		 Treble 21 4 4 7 100%
Basso
Continuo		 Bass 12 0 1 6 97%
 
03- Marche in Gmajor C.P.E. Bach
pental
1:28 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 5 96%
Bass 14 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 5 96%
Bass 14 0 1 4 100%
 
Salve Regina à 4 Josquin Desprez
pental
4:32 Est. Play
Time
125 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 15 0 4 6 98%
Soprano Treble 14 0 3 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 15 0 4 6 98%
Soprano Treble 14 0 3 6 98%
Bass Bass 11 0 1 7 91%
Tenor Treble 10 0 0 7 89%
 
Menuet HWV 434 4
pental
3:48 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 5 7 100%
Bass 18 0 1 4 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 5 7 100%
Bass 18 0 1 4 76%
 
Canzone a 2: Cornetto o violino e trombone Giulio Belli (1560-1622)
pental
3:50 Est. Play
Time
102 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cornettino
o
violino		 Treble 12 0 2 7 100%
Organ Treble 16 0 1 6 100%
Trombone Bass 12 0 1 7 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cornettino
o
violino		 Treble 12 0 2 7 100%
Organ Treble 16 0 1 6 100%
Trombone Bass 12 0 1 7 97%
 
Missa "Au travail suis" Kyrie Johannes Ockeghem
pental
2:32 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 11 0 2 6 92%
Superius Treble 14 0 3 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 11 0 2 6 92%
Superius Treble 14 0 3 6 92%
Tenor Bass 13 0 1 6 90%
Bassus Bass 13 0 1 5 69%
 
Missa "Au travail suis" Sanctus Johannes Ockeghem
pental
2:08 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius Treble 10 0 3 7 82%
Altus Treble 11 0 1 6 78%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Superius Treble 10 0 3 7 82%
Altus Treble 11 0 1 6 78%
Bassus Bass 14 0 2 6 73%
Tenor Bass 9 0 1 6 67%
 
Per signum crucis Francisco Guerrero
pental
2:33 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 2 7 98%
Soprano Treble 10 0 1 7 95%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 2 7 98%
Soprano Treble 10 0 1 7 95%
Tenore Treble 12 0 3 6 88%
Basso Bass 11 0 1 5 84%
 
Brahms_Johannes_-_7_Lieder_Op.48_No.6_-_Vergangen_ist_mir_Glck_und_Heil
pental
4:05 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 17 24 3 3 97%
Bass 14 0 1 3 94%
Singstimme Voice Treble 12 0 1 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 17 24 3 3 97%
Bass 14 0 1 3 94%
Singstimme Voice Treble 12 0 1 3 100%
 
Everybody Sing Freedom Spiritual
pental
1:25 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 0 5 100%
Bass Bass 9 0 1 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 6 0 0 5 100%
Bass Bass 9 0 1 5 100%
Soprano Treble 5 0 0 5 100%
Tenor Treble 6 0 1 5 100%
Solo Treble 5 0 0 5 44%
 
Aus tiefer Not schrei ich zu dir
pental
2:52 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass
3		 Bass 10 0 1 6 100%
Bass
2		 Bass 13 0 3 7 98%
Bass
1		 Bass 10 0 2 6 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass
3		 Bass 10 0 1 6 100%
Bass
2		 Bass 13 0 3 7 98%
Bass
1		 Bass 10 0 2 6 95%
 
Le Rosssignol Clément Janequin (1485-1558)
pental
2:36 Est. Play
Time
60 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 2 6 100%
Bass Bass 11 0 1 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 2 6 100%
Bass Bass 11 0 1 6 100%
Tenor Treble 10 0 1 6 100%
Soprano Treble 12 0 3 5 97%
 
3. Graduale Missa Pro Defunctis a 4 de Morales
pental
6:56 Est. Play
Time
77 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 7 0 0 6 88%
Tenor Treble 9 0 1 6 87%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 7 0 0 6 88%
Tenor Treble 9 0 1 6 87%
Cantus Treble 14 0 4 6 86%
Bassus Bass 10 0 1 6 83%
Voice Treble 7 0 0 1 8%
 
Marmotte
pental
1:30 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 4 0 4 100%
Bass 10 0 1 3 95%
Voice Treble 6 0 0 4 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 4 0 4 100%
Bass 10 0 1 3 95%
Voice Treble 6 0 0 4 81%
 
5. Sanctus Missa Pro Defunctis a 4 de Morales
pental
2:59 Est. Play
Time
87 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 8 0 2 5 98%
Tenor
1		 Treble 12 0 2 5 97%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus Treble 8 0 2 5 98%
Tenor
1		 Treble 12 0 2 5 97%
Tenor
2		 Treble 12 0 2 6 95%
Bassus Bass 10 0 1 5 93%
Voice Treble 2 0 0 1 1%